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- TELEVISION, Page 85Divorce, Bochco-Style
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- By RICHARD ZOGLIN
-
- CIVIL WARS
- ABC; debuting Nov. 20, 10 p.m. EST
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- Pity the poor TV innovator; his work is never done. Steven
- Bochco changed the course of network TV in the early '80s with
- his breakthrough cop show Hill Street Blues. He opened new areas
- of provocative subject matter a few years later with his yuppie
- drama L.A. Law. Those hits were enough to convince ABC that
- Bochco was worth a long-term gamble: in 1987 the network signed
- him to a contract worth $50 million, to develop 10 series during
- the next decade. Then Bochco had to face a really tricky problem:
- how to top himself.
-
- For his first show under the new ABC deal, Doogie Howser,
- M.D., Bochco tried a gimmick: a comedy about a 16-year-old
- genius with a medical degree. Then he turned experimental,
- adding musical numbers to a police drama and coming up with Cop
- Rock. The show failed with audiences, probably because Bochco
- did part of his job too well: the gritty cop scenes were so
- compelling that the musical numbers (which rarely measured up)
- seemed like rude interruptions.
-
- Now Bochco has retrenched. Civil Wars, his latest drama
- series, takes him back into comfortable L.A. Law territory.
- Mariel Hemingway and Peter Onorati (a survivor of Cop Rock) play
- New York City lawyers who team up to handle divorce work. The
- Bochco trademarks are all here: three or four story lines
- interwoven through the hour, a mix of social comment and
- sophomoric black humor, and a slick, upscale look. (Even the
- office secretary dresses like a Vogue model.)
-
- But Civil Wars is bleaker and more brutal than anything
- Bochco has done before: an unrelenting parade of vengeful
- spouses, greed, infidelity, callousness and other mental
- cruelties. "You're bitter, you're needy, and you're gonna poison
- whatever and whoever you come in contact with!" shouts a husband
- at the wife he wants to leave because she has gained too much
- weight. (She actually looks pretty good.) A rich couple bickers
- over custody of sterling silver soup tureens and antique
- snuffboxes, until a stenographer -- who is struggling to pay her
- son's medical bills -- blows up: "You have no idea what it's
- like to live in this city on $26,000 a year!"
-
- The show's dark tone has apparently given ABC executives
- some nervous moments. They reportedly asked Bochco to redo the
- first episode, adding some comic relief; it now contains a
- subplot about a woman seeking a divorce because her husband
- thinks he's Elvis. Other problems remain. Civil Wars has too
- little of interest going on outside the courtroom (no romance
- so far between Hemingway and Onorati), and its "lighthearted"
- moments are rather distasteful. One running story involves
- Hemingway's law partner (Alan Rosenberg), who has a nervous
- breakdown in the first show and returns later to do kooky things
- like barbecuing hamburgers in the office.
-
- But Bochco may be smarter than ABC thinks. Civil Wars is
- a canny compendium of every relationship issue the '90s has to
- offer. And it feeds one of TV's most enduring myths: that the
- cold legal system has a human face. The moral high ground is
- always clearly marked -- for the viewer, if not always for the
- judge. Lawyers, moreover, are warm, understanding and
- passionately devoted to their clients. Onorati, after
- negotiating a settlement for the "overweight" wife, accompanies
- her to her 20th-year college reunion. Hemingway pleads with one
- client, the wife of a sleazy rock musician, not to accept her
- husband's invitation for coffee. When the woman objects,
- Hemingway chides her like a protective sorority sister: "Hey,
- this is your lawyer talking."
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